Rabu, 17 Juni 2015

Ebook-Download Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor

Ebook-Download Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor

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Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor

Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor


Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor


Ebook-Download Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor

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Think Big Paint Small: Oil Painting Easier, Faster and Better, by Joyce Washor

Über den Autor und weitere Mitwirkende

Award-winning artist Joyce Washor exhibits regularly in the Hudson Valley and has many gallery affiliations across the U.S., including the Judi Rotenberg Gallery and the Taos Gallery. An active workshop instructor, she lives in Riverdale, New York.

Produktinformation

Taschenbuch: 144 Seiten

Verlag: North Light Books; Auflage: 00002 (27. Januar 2017)

Sprache: Englisch

ISBN-10: 1440346992

ISBN-13: 978-1440346996

Größe und/oder Gewicht:

20,3 x 1,3 x 25,4 cm

Durchschnittliche Kundenbewertung:

5.0 von 5 Sternen

1 Kundenrezension

Amazon Bestseller-Rang:

Nr. 407.935 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Ein kleines gutes Gemälde benötigt genauso viel Planung, wie ein großes, ist aber schneller fertig gestellt. Die Autorin erklärt die Feinheiten. Empfehlenswert.

This is the first book you should buy for oil painting. The author's central thesis is that by painting miniature paintings, say 3 x 4 inches, with small brushes 2, 4 and 6 one more quickly learn what works and does not. I've tried it and I am a huge fan. It saves money, less paint, boards or canvas, and smaller and therefor less expensive brushes, and is more ecological than painting big. I can pain a miniature in a fraction of the time I invest in a larger painting and usually learn more that when painting larger. Most paintings end up in the land fill and the pigments and solvents are not benign. Curiously, the author does not combine painting small with a limited pallet, which for the same reasons, also accelerates learning. I do both. The author has an extensive pallet that includes paints that are a blend of several pigments, ignoring the dictum of using single pigment paints. In addition, the author explains how to lighten hues without using white when in fact she is, in two instances, using tube paints that each contain two white pigment. Old Holland light yellow, and violet grey contain white pigments. The result is perhaps less chalky than the artists mixing directly with titanium white because these paints also contain some zinc white but other than that, you are using white. Overall, this is a brilliant concept and a well executed book. If you combine this with a limited pallet, you will likely learn more faster.

Great book, BUT the narrative & instructions for painting suflowers in steps 4 & 5 page 127 & 128 have been omitted & replaced with the steps 4 & 5, page 132, how to paint a honey jar....Obviously an editorial/ printing error, which is frustrating as I am unable to follow the steps for the tutorial. Surprised nobody has picked up on this, not happy this book was not cheap. See pictures.

The dumbest thing I ever did was give this book away. (I just ordered a used copy.) It isn't so much the matter of painting small, which I don't actually do, it's that her explanation of her palettes is the best help I've found for using a limited, complementary palette. She doesn't just say "Orange and blue," she says what colors go on the "orange side" and what go on the "blue side." It's more comprehensive and helpful than any discussion I've found. The other good book is "The Still Life Painting Atelier" which also has excellent palette advice.

An excellent, crisp, efficient book on oil painting for beginners even if you don’t plan to paint small forever. Just an excellent book of fundamentals.

What a wonderful book. Her palette suggestions alone are worth the price. I have the same joint issues as Joyce Washor; she saved my painting.

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